Toutes peintures ā l'huile d'Gaspare Diziani
ID Image Painting(From A to Z)    Details 
98437  
Gaspare Diziani, Abraham and Three Angels
  		 Abraham and Three Angels   ca. 1735-1740
98432  
Gaspare Diziani, Christ in the Garden of Gethsemane
  		 Christ in the Garden of Gethsemane   between 1745(1745) and 1750(1750) Medium oil on canvas Dimensions Height: 100 cm (39.4 in). Width: 82 cm (32.3 in).
98436  
Gaspare Diziani, Finding of Moses
  		 Finding of Moses   first half of 18th century Medium oil on canvas Dimensions Height: 122 cm (48 in). Width: 152 cm (59.8 in).
98433  
Gaspare Diziani, The Adoration of the Magi
  		 The Adoration of the Magi   1718(1718) Medium oil on canvas Dimensions Height: 94 cm (37 in). Width: 110 cm (43.3 in).
98435  
Gaspare Diziani, The Adoration of the Magi
  		 The Adoration of the Magi   1705 - 1760 Medium oil on canvas Dimensions 30.5 x 40 cm (12 x 15.7 in)
98434  
Gaspare Diziani, The Adoration of the Shepherds
  		 The Adoration of the Shepherds   circa 1755(1755) Medium oil on canvas Dimensions Height: 117 cm (46.1 in). Width: 131 cm (51.6 in).
98430  
Gaspare Diziani, The Family of Darius before Alexander the Great
  		 The Family of Darius before Alexander the Great   first half of 18th century Medium oil on canvas Dimensions Height: 135 cm (53.1 in). Width: 109 cm (42.9 in).
98438  
Gaspare Diziani, The Satyr and the Peasant
  		 The Satyr and the Peasant   First half of the 18th Century
Gaspare Diziani
(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).



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